So she was very competitive, NEIL WILLIAMS: and competitive with other female artists too. I've always known it's good. Is there any tradition involved in bolstering the success of that intent? That's got to be true. NEIL WILLIAMS: It just doesn'tI mean, it's not a priority. NEIL WILLIAMS: There have been lulls, but I've always known it's okay to just keep working through them. Your testimony grows as you try to look for God and for our Savior in your everyday life, in the little things., Jada Brown shared her love for a painting titled Hand in Hand which depicts a little girl walking hand in hand with the Savior. BA (Law) degree University of Durban-Westville (Now University of Kwa-Zulu Natal), LLB degree (Post graduate) - University of Durban-Westville, LLM (Labour Law) degree - University of South Africa, Admitted attorney of the High Court of South Africa 1993, Admitted advocate of the High Court of South Africa 1996, Re-admitted attorney of the High Court of South Africa 1998, Appointed part-time CCMA Commissioner - 2014, Senior State Advocate Office for Serious Economic Offences (1996) & Asset Forfeiture Unit (2001), Head of Legal Services City of Tshwane (2005) and City of Johannesburg Property Company (2006), Head of the Cartels Unit Competition Commission of South Africa 2008. NEIL WILLIAMS: I remember when it showed up, it was all bright and it was a metal bronze thing and I mean, they were okay. NEIL WILLIAMS: She replaced me and my ladder with Sam and all kinds of hydraulic equipment. Daily Racing Multiple. MIJA RIEDEL: It sounds as if you're saying that the system itself is not well-suited to keeping vital dynamic instructors there on a regular basis. NEIL WILLIAMS: So I think that's why I made so many bowls. NEIL WILLIAMS: But Marjorie was a character. MIJA RIEDEL: clearly Charles was a huge influence on her. NEIL WILLIAMS: Yes, she was there, and she hadI remember the first day of class was the morning after Richard Behrens, the glaze guru, the elderly gentleman, the wonderfulhad passed away. Berkeley.". Viola was trying to claim sheSqueak took the candlestick image from her, and Squeak was, "No, that wasn't my intention; I was just" so Viola came inback in, all fired up. His first win And how itthe electromagnetic attraction to the profound impact of what color can have on a person. And insights ofhow the mind works, how the creative mind worksyou know, how the primitive mind works in relation to creativity. MIJA RIEDEL: Rena talked about [a trip MR] she and Viola took back east, and sending [Viola and Patterson MR] on a train to New York together, coming up with a reason that she couldn't go so they would have a chance to chat. But, so anyway, that's how hethat's how their pieces ended up at A.S.U. MIJA RIEDEL: Anybody you care to mention? MIJA RIEDEL: to a more color-filled, abstract painting, and how that came about. Copyright in all R&S materials is owned by Racing and Sports Pty Ltd (R&S). MIJA RIEDEL: Were together until he passed away. Because once boredom sets in, or once you, you know, you talkyou see so many artists or crafts people who go one automatic pilot, and the work loses its' soul, and it shows. Not to worry. Seated on the stage with Elder Andersen during the devotional were his wife, Sister Kathy Andersen, and several BYU students who contributed personal examples and testimonies of principles discussed throughout his address. NEIL WILLIAMS: And completely supportive, 110 percent. So, if that gets into a spiritual phenomenon, then that makes sense to me. You get these old guard who won't retire whothey get a course cut back in their metal arts program, and they end up teaching ceramics and they're terrible, but they have seniority. And so she encouraged surface which, so the early ones, were very textual, very tactile. It was mass and volume questions, and dichotomies there. Why should I believe them when they told me how good I am?" NEIL WILLIAMS: You mean, besides all the wonderful crazy friends I grew up with? ", NEIL WILLIAMS: In fact she talked about when she was young and smoking all the time, she would have to stop and smoke and stop and she realized, "Oh my god." And all relatively close to 12 feet tall or varying heights? Maybe I should be. 0000003077 00000 n NEIL WILLIAMS: Not if I can help it anymore. And he had experience in Japan. You know, "The pots aren't art." And the fool wouldn't take them. So, she encouraged that and nurtured that very heavily, but, MIJA RIEDEL: It was almost an unconscious sense of personal experience, from what I understand, because none of the work equated directly to her own personal experience, but somehow. But no, it was worth it. Neil Williams was a top jockey, I remember him winning premierships in Brisbane, was the top rider there. Or does it feel like a continuous line mostly? The interview took place in at Williams' home and studio in Auburn, CA, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. NEIL WILLIAMS: And she's like, she would say, "This is our thing, Neil." Interviewer Mija Riedel (1958- ) is an independent scholar and writer in San Francisco, California. He was like, "You know, palace-and-cottage, it's likeMichelangelo was a palace artist; Van Gogh was a cottage artist." But he did it elsewhere. MIJA RIEDEL: Beautiful, functional pots, vase and lidded jars. MIJA RIEDEL: It's captivating, completely engrossing. There's a calling here that is just going to be-I knew it was going to be interesting, and I knew it was going tomy sense was it could get crazy at times, but it was manageable. xref And one of the famous things, we would laugh, and she would get in these vapor brain locks about trying to make a point. But at the same time, I try and push it a little bit each time so that theyI mean, I'm going to obliterate the image completely but, like I said, it has to stay alive and interesting. Is that correct? But it wasshe was soamped up on what she was able to do. NEIL WILLIAMS: And they're all looking off indifferent directions with this vacant, yet intriguing look on their faces. NEIL WILLIAMS: Remember him? Washington, DC 20001, 300 Park Avenue South Suite 300 [Laughs. But those guys still have impacts. But didn't pursue it herself. MIJA RIEDEL: and the evolution of the bronzes. Elder Neil L. Andersen of the Quorum of the Twelve Apostles and his wife, Sister Kathy Andersen, leave the arena after speaking during the weekly BYU campus devotional on Tuesday, Jan. 17, 2023. Just a brilliant guy. Why are we here? xb```"6F= ac`a&qpcaFSn`@I9Oz%uG E f[lvu>qfdn){sRiR & vtt40 MIJA RIEDEL: Did he write much about her work? NEIL WILLIAMS: But it's evolved slowly. They surrounded her, and there was this big huddle, and then I guess they got her calmed down, and then she said a little something like "Okay, I'll," you know. Like I said, it took five years to get the frontal side to look reasonably composed. But that wasn't my interest. Does it bringhave their been unexpected. But, earlier, when she was younger, and she was able to do the painting, and I think the sculptures were much moreglove-like. NEIL WILLIAMS: So, I do a variety of other things. I would certainly buy it as a reader but. NEIL WILLIAMS: Oh my gosh, where did it come from? NEIL WILLIAMS: Junk pieces, early junk pieces, there were summers that she did at the college. Neil Williams Obituary: In the loving memory of Neil Williams, we are saddened to inform you that Neil Williams, a beloved and loyal friend, has passed away. I've had some wonderful people connect with the work, and support the work and encourage the work. NEIL WILLIAMS: I didn't really see much of an evolution of bronzes thereshe. NEIL WILLIAMS: Oh yes, it was a draw for her. The power of color throughout is very consistent. MR]. MIJA RIEDEL: That was an extraordinary collection, extraordinary. "Paul Baker - Executive Creative DirectorThe Marketing Practice, "I have worked with many different Creative Directors at a variety of top agencies, and Neil is one that I would definitely recommend. And really articulate. 0000004841 00000 n . It was a nice little fit for me, because it was able to keep it alive and interesting, and keep the sharks swimming forward, so to speak. Unclassified cookies are cookies that we are in the process of classifying, together with the providers of individual cookies. I'm thinking of a story that someone told [me MR]something happened to Charles and he was in the hospital, and, MIJA RIEDEL: a couple of friends came over to visit Viola, and they said there was just no conversation, nobody was talking. And she bought most of them and took them home with her. Toby was a student of Arneson's, and went on to teach ceramics forjust retiring, 37 years at the local high school. And vocabulary and marks that are important to you, not necessarily another language, but things that you'll start repeating, and then there's the journey in finding out why they're important to you. I mean there'sI never wasI've left all of the heavy softcore and hardcore conceptual work for the big boys and girls. 0000100839 00000 n Uh-huh. MR] all these different quotes from all these different artists over time and different places, is there a community that's been significant to your development as an artist? NEIL WILLIAMS: There'sit's like, and then one of my brother says, "Hey, I saw your piece in a show in the de Young Museum." What a loss. NEIL WILLIAMS: And, I felt complete and accomplished because she hadwas just coming out in a big way from hiding out and working, keeping everything for nine years. [Affirmative.] It wasn'tthey weren't being offensive. And at the same time, we look at so many great artists, and they wereit wastheir big contribution was absolutely they were on the edge. And someone else said, "It's 90 percent labor and 10 percent magic." NEIL WILLIAMS: Oh. NEIL WILLIAMS: And of course Cheri [Williams], of course Cheri. [Affirmative.] She had a very infectious giggle. Could you say anything about how they connected? Was your mother interested in the arts? Elder Andersen assured students, If you are determined to be a disciple of Jesus Christ all the days of your life, you will be, and you will have remarkable blessings that will be yours.. I used to love the little Scottsdale Museum Fairthat was nice for me, made it into a vacation. That was one of the reasons why we hadI had to move on, not only because I wanted to be an artist, and she knew that, but there was no real future in it. It would take years to make a little jump in progress, it seemed like. And I think it was alsoI also know that she had to delight in the fact that she was a little, short woman who was able to do that, and then splash all these great color field, you know, bring it to life with color, and still, at the time, outwork anybody around her. There were built-in walls together with pieces of plastic. [Laughs.]. NEIL WILLIAMS: Because you want to take that experience into the next one, and you don't want to be hung up by it. 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